Michel Banabila has an ear for sound and a pulse which runs through his fingers. Taking a nearly limitless number of samples, he finds a common pulse that they gravitate towards, and produces groovy - nearly trip-hop style - songs. There are no voices other than the stolen ghosts which become halting, tripping verse-chorus-verse arrangements under his skillful manipulation. "Voiz IX" is a wheezing street orchestra, a tiny marching band made up of two kids banging on trash cans, one over the hill tuba (worked over by a much younger player with a decent set of lungs), a couple of single-stringed guitars, a kid with an old radio sporting exposed wiring, and a drum major with a three-dollar megaphone. Banabila reworks all these elements (and the echoes which their street performance leave rattling down the long alleys) into something else, something a little less than a recognizable tune and more into a musique concrete abstraction. At the other end of the spectrum is the following track, "Speak," which hums along at 144 bpm, hammering and jabbering beneath a cut-up vocal track that speaks in starts and stutters. Like all good pastiches, you find comfort in the recognizable elements and thrill in their unexpected juxtaposition. Banabila's work on VoizNoiz II is a soundtrack to the urban chaos which is the overwhelming reality of city living.

Mark Teppo

Music composer & sound artist. Michel Banabila releases music since 1983 and has produced musical scores for numerous films, documentaries, video art, theatre plays & choreographies. His music varies from minimal loop-based electronica, 4th world and neoclassical pieces, to drones, experimental ambient, and punk-as-fuck tape music. In addition to acoustic instrumentation, Banabila uses electronics, field recordings, and snippets from radio, tv and internet.

Bureau B, Eilean Rec, Séance Centre, Pork Recordings, Tone Casualties, Challenge Records, Steamin' Soundworks, Knekelhuis, Tapu Records.