Continuing a journey begun with their self-titled release in late 2012, Travelog is the latest release from Michel Banabila & Machinefabriek. Spin’n Puke, opens the album, a rudimentary rhythm that sounds like its inspiration was heard played on a log drum, then morphs through a glitched time warp into a giddy, percussive flurry, ending as a pitch-blend glide into a sattelite blip, disappearing in space. The stage is set for a series of small sound sojourns that as a whole constitute a release that like their debut, explores a wide array of texture, rhythm and sound source. Even the covers tell a tale, a vapour trail on the debut is replaced by a planes shadow flying over a desert coast where the water meets land – this time the waters blue spilling over from the debuts sky. The type remains identical, though smaller, again suggesting a continuing journey. The music is akin to a kind of new exotica, it suggests locations, but the locations exist in a hermetically sealed transaction made between the artists swapping and melding sound-files over the web. These locations appear in Narita for example, a disembodied vocal sample from a Yuko Parris and all n4ural track is embedded in a naive melody that has the air of a polite tea party, that is until its crashed by a fuzz storm battling a Hammond. When the storm subsides, we are left in a Japanese garden and we/I realize the opening melody is none other than a folk tune played on a flute while a skittering shishi-odoshi sample charms rather than alarms – or is it, did it, was it meant to be like this? We transition through Antennas to the gauzy Rain Painting, again, fireworks sourced beats are not, crackling and whirring, some rat-tat and we find ourselves in a slurry of fugged, muted beats and keys chiming strangled, it quietly subsides. I’m gonna leave you at Yarra, its my supposition maybe Michel picked up some samples while flying through the antipodes – Yarra’s a river. This approximates a close call with Hassell - bird calls, vocal Eno Airport/Buddesque Plateaux like loops, weird ritualistic yodels – a possible music. You do the rest, put these two musicians/composers together and you have some intriguing and quirkily engaging music – investigate, explore, enjoy. Perry Holt. 


Music composer & sound artist. Michel Banabila releases music since 1983 and has produced musical scores for numerous films, documentaries, video art, theatre plays & choreographies. His music varies from minimal loop-based electronica, 4th world and neoclassical pieces, to drones, experimental ambient, and punk-as-fuck tape music. In addition to acoustic instrumentation, Banabila uses electronics, field recordings, and snippets from radio, tv and internet.

Bureau B, Eilean Rec, Séance Centre, Pork Recordings, Tone Casualties, Challenge Records, Steamin' Soundworks, Knekelhuis, Tapu Records.