CHAINDLK.COM : Spherics

You would expect a Dutch like Michel Banabila to release an album such as this one on the national label Staalplaat, instead he chose Tone Casualities, one of California's most interesting labels for experimental and avant ambient music. This CD, which follows the two Tone Casualities releases VoizNoiz I and II, contains seven tracks of pure textural work, soundscapes that reinvent turntablism through the use of pops and clicks. You feel like you are listening to an old and worn-out vinyl and you are possibly touched by the warmth that those little noises transmit, but instead you are being hypnotized by seven smooth and beautiful compositions whose title, "Spherics", fits right on (maybe 'cause it recalls the very shape of those old records you used to dislike when CDs overtook). Created with editing, splicing and sampling and enriched by Jorien Muste's violin and Piet Lichtveld's guitars (I really like what the guitar does!) "Spherics" achieves some amazing and soft ambience (with occasional cute percussion samples) and goes well beyond the concept of a plain ambient album when it reaches into minimal rhythmical structures and makes it huge with cool deep droning sounds (by some mysterious guy/band/machine called Bobby - there was a Japanese noise band once called Billy, maybe it's a relative) that actually give it a quite a push sometimes. The evolution of a song is real slow, the peace is layed back and small bits of sounds make it cooler every 16 bars or so, but as you all know good things come to those who wait ;-) In conclusion it's a great piece of sounds, I really enjoyed listening to it and I think you will too, especially cause you know you are listening to a CD and so you won't be cursing and getting crazy cleaning the needle, which you would do if this was an LP, trust me! ;-)

Marc Urselli-Schaerer. 

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Music composer & sound artist. Michel Banabila releases music since 1983 and has produced musical scores for numerous films, documentaries, video art, theatre plays & choreographies. His music varies from minimal loop-based electronica, 4th world and neoclassical pieces, to drones, experimental electronica and tribal ambient. In addition to acoustic instrumentation, Banabila uses electronics, field recordings, and snippets from radio, tv and internet.

Bureau B, Séance Centre, Pork Recordings, Tone Casualties, Challenge Records, Steamin' Soundworks, Tapu Records.